Street Art; Banksy

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From its origins as a form of anti-establishment political protest to its’ present day incarnation as a multi million pound industry, street art has not only radically transformed the way we view our public pavements and walls but has also inadvertently turned the illegality of an art form into a controversial topic subject to widespread debate. One indeed worthy of the Houses of Parliament, where on Friday 13 December a momentous event in the art world is scheduled to take place.

The House of Commons will open its’ doors to Smile Britannia, the first charity ‘Street Art’ auction ever to take place in the UK’s home of politics. With an incredibly impressive catalogue of art, donated by an eclectic roster of artists, this auction will go down in history as the first event to see this contemporary art form being so evidently accepted by the establishment it has fought so tirelessly against.

Previously described as vandalism, criminal activity and the ‘wanton destruction of private property’, lately and with increased frequency, there has been a noticeable softening of the judicial system towards street art. Just last week a Mancunian street artist was unexpectedly excused from a significant prison term for vandalism, despite causing thousands of pounds worth of damage, because the judge residing over the case believed the offender had unquestionable talent and indeed ‘could be the next Banksy’.

For the full article, please visit the Huffington Post

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